Arguing for "personally passionate criticism", the author is concerned with issues of how to look, how to read, and how to know what is important when considering texts or works of visual art, accentuating the enriching of "seeing" by techniques such as aging, framing, bridging, integrating and multiplying. The work discusses various movements in modern literature and art such as modernism, Dada, surrealism and concretism, spatialism and others. Connections are drawn between painting and poetry, analyzing among others the work of Tintoretto, Stevens, Arakawa, Cornell and Mallarme. This study will be of interest to those working in the areas of literary theory, aesthetics and cultural studies.