Rape and the Criminal Trial : Reconceptualising the Courtroom As an Affective Assemblage
Rape and the Criminal Trial : Reconceptualising the Courtroom As an Affective Assemblage
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Author(s): Carline, Anna
Murray, Jamie
ISBN No.: 9783030386832
Pages: vii, 147
Year: 202003
Format: Trade Cloth (Hard Cover)
Price: $ 96.62
Dispatch delay: Dispatched between 7 to 15 days
Status: Available

Chapter 1 - Introduction 1.1 Reconceptualising the Courtroom 1.2 Engaging with the Book: Affective and Non-Representational Approaches 1.3 New Materialism and Affect Theory 1.4 Empirical and Theoretical Methodologies 1.4.1 Methodology one: Exploring Affects through Interviews with Barristers 1.4.


2 Methodology Two: Problem Space, Problematics and Phase Space 1.5 Setting the Scene: Criminal Justice Reponses to Rape 1.5.1 Substantive Law: Sexual Offences Act 2003 1.5.2 ''Mistake Assumptions'' Judicial Directions 1.5.3 Special Measures 1.


6 Conclusion 1.7 References Chapter 2 - Mapping the Theory and the Conviction Rate Attractor 2.1 Introduction 2.2 Mapping the Theory 2.2.1 Two Ontologies: The Intensive and the Actual 2.2.2 The Intensive Incorporeals 2.


2.3 A New Understanding of Sense 2.2.4 The Plane of Composition 2.2.5 Complex Systems and Assemblages 2.2.6 Self-Organisation and Emergence 2.


2.7 Phase-Space or High Dimensional Manifolds 2.2.8 Deleuze and Guattari''s Affective Assemblage Theory 2.2.9 Conceptualising the Courtroom as an Affective Assemblage 2.3 Conviction Rates: A Primary Attractor 2.4 Conclusion 2.


5 References Chapter 3 - Courtroom Expressions: The Intermingling of the Semiotic and Material Regimes 3.1 Introduction 3.2 The Legal Semiotic Regime 3.2.1 Consent Definition: s.74 3.2.2 Mens Rea: Reasonable Belief in Consent 3.


2.3 Evidential and Conclusive Presumptions: s.75 and s.76 3.2.4 Legislation and Conviction Rates 3.3 The Affectual Force of the ''Mistaken Assumptions'' Directions 3.3.


1 Defence Counsel, Myths and Reterritorialization 3.4 Intensive Sense: Policies, Practice and Experience 3.5 Conclusion 3.6 References Chapter 4 - Courtroom Performances: Drama, but not Representational Drama 4.1 Introduction 4.2 Courtroom Tactics, Techniques and Territories 4.3 Embodied Courtroom Performances 4.4 Marshalling Affects: Performing Victimhood 4.


5 Changing Cross-Examination Techniques? 4.6 Compelling Performances: Lines of Flight 4.7 Conclusion 4.8 References Chapter 5 - Deleuze''s Materialist Philosophy of Affect and Sense 5.1 Introduction 5.2 Deleuze''s Materialist Philosophy of the Social Field 5.3 Deleuze''s Materialism: The Actual and Intensive; Corporeals and Incorporeals 5.4 Exploring the Intensive Register Further 5.


4.1 Understanding the Intensive Movement of Matter and Becomings 5.5 Exploring the Intensive Incorporeals 5.5.1 Intensive Sensation and Percept 5.5.2 Intensive Bodies 5.5.


3 Affect-Events 5.5.4 Affective Atmospheres 5.6 The Logic of Sense: Affect and Events in Language 5.7 Intensive Field as a Problem Field 5.8 Planes of Composition and Organisation 5.8.1 Plane-ing 5.


9 Conclusion 5.10 References Chapter 6 - Complexity Theory, Deleuze and Guattari''s Affective Assemblage Theory and the Courtroom as Affective Assemblage 6.1 Introduction 6.2 Complexity Science and Complex Systems 6.2.1 Discovering the Incorporeals 6.2.2 Complexity Science 6.


3 Complexity Theory and Complex Social Systems 6.4 Deleuze and Guattari''s Affective Assemblage Theory 6.4.1 Social Assemblages 6.4.2 Semiotic and Material Regimes 6.4.3 Territorialisation, Deterritorialisation and Reterritorialisation 6.


4.4 Transversal Consistencies of Social Assemblages 6.4.5 Social Assemblages and Social Regimes 6.4.6 The Field of Affective Social Assemblages 6.5 Conclusion: The Courtroom as an Affective Assemblage 6.7 References Chapter 7 - Conclusion: Techniques of Affect and Adaptive Management 7.


1 Techniques of Affect: Participating in the Intensive 7.1.1 Techniques of Affect as Artistic, Political and Ethical Practices 7.2 Adaptive Management: Managing and Regulating Complex Systems 7.2 References.


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