Barbara Jane Brickman's smart and engaging reading of youth-oriented films of the 1970s charters new territory by uncovering their subversive potential in their treatment of issues of gender, generation, and sexuality. Her informative and insightful analysis of some of the decade's most popular films is a welcomed addition to the study of the American teen film. --Stephen Tropiano, author of Rebels & Chicks: A History of the Hollywood Teen Movie   New American Teenagers is an invigorating read that will please media scholars and youth scholars alike. Barbara Brickman actively and purposefully rescues for us the teen films and teen viewers of the 1970s, exploring this era of cinema through a blend of intriguing psychoanalytical, feminist, and queer film theories in a manner that provokes reconsideration of key texts. I immediately found myself eager to watch again films ranging from Texas Chainsaw Massacre to Freaky Friday to Badlands.Any book that makes you want to revisit this decade's filmic view of teens (and the standard assessments of them) is well worth the read! --Sharon Marie Ross, co-editor of Teen Television: Essays on Programming and Fandom   A compelling and often corrective evaluation of 1970s youth, in American cinema as well as the culture at large. Brickman argues that the decade's value was essentially lost with the nostalgia for the more radical '60s and splashy '80s gaining greater prominence in recent histories. Through a series of thorough and sometimes humorous analyses of teen film trends in the '70s, Brickman highlights the contributions of the genre to broader developments such as feminism, gay rights, educational reform, and the political power of youth.

Brickman challenges the polemic that '70s youth were sedated by the 'cheap façade of polyester' to produce a convincing case for the radical elements of teen cinema at the time, celebrating the spirit of innovation and exploration that so many films then embodied. Speaks to the liberating potential of the marginalized genre that teen cinema became in the '70s. Anyone who can remember the '70s, whether you were a teenager then or not, will find this book an exciting read, with recollections of both great and gruesome movies dancing in your mind. A text that will quite positively promote the burgeoning study of teen cinema at large. --Timothy Shary, author of Generation Multiplex: The Image of Youth in Contemporary American Cinema (University of Texas, 2002)   Brickman extends the knowledge of teen films while focusing on alternative depictions of teenagers and teen films, such as the "queer kid", dangerous or independent females and insular peer culture that can be unsafe and violent, while focusing less on parental influences. --  Hennie Weiss has a Master's degree in Sociology from California State University, Sacramento. Her academic interests include women's studies, gender, sexuality and feminism.     Metapsychology Online Reviews.