Play about the rights and wrongs of emotional conduct. Written in three parts, it examines disconnection, alienation and a shifting moral code. It describes unusual circumstances that draw strangers together and expose chasms between partners. Winner of the 1997 AWGIE for Best New Play. Author writes for stage and screen and his other works include plays 'Holy Day' and 'Who's Afraid of the Working Class' and feature films 'Head On' and 'Strictly Ballroom'.