American Noir Film : From the Maltese Falcon to Gone Girl
American Noir Film : From the Maltese Falcon to Gone Girl
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Author(s): Booker, M. Keith
ISBN No.: 9781538194096
Pages: 224
Year: 202411
Format: Trade Cloth (Hard Cover)
Price: $ 62.10
Dispatch delay: Dispatched between 7 to 15 days
Status: Available (Forthcoming)

INTRODUCTION TO NOIR FILM PART I. NOIR DETECTIVE FILMS CHAPTER 1. THE FILM NOIR DETECTIVE: Maltese Falcon (1941) CHAPTER 2. THE FILM NOIR DETECTIVE: Murder, My Sweet (1944) CHAPTER 3. THE NEO-NOIR DETECTIVE: Chinatown (1974) CHAPTER 4. THE NEO-NOIR DETECTIVE: Blue Velvet (1986) CHAPTER 5. THE REVISIONARY NOIR DETECTIVE: Devil in a Blue Dress (1995) CHAPTER 6. THE REVISIONARY NOIR DETECTIVE: Inherent Vice (2014) CHAPTER 7.


THE REVISIONARY NOIR DETECTIVE: Under the Silver Lake (2018) PART II. THE NOIR FILM LOST MAN CHAPTER 8. THE FILM NOIR LOST MAN: Detour (1945) CHAPTER 9. THE FILM NOIR LOST MAN: Out of the Past (1947) CHAPTER 10. THE NEO-NOIR LOST MAN: After Dark, My Sweet (1990) CHAPTER 11. THE NEO-NOIR LOST MAN: The Man Who Wasn''t There (2001) CHAPTER 12 . THE REVISIONARY NOIR LOST MAN: The Killer Inside Me (2010) CHAPTER 13. THE REVISIONARY NOIR LOST MAN: You Were Never Really Here (2017) CHAPTER 14.


THE REVISIONARY NOIR LOST MAN: Uncut Gems (2019) PART III. WOMAN IN NOIR FILM CHAPTER 15.WOMEN IN FILM NOIR: Double Indemnity (1944) CHAPTER 16. WOMEN IN FILM NOIR: Sunset Boulevard (1950) CHAPTER 17. WOMEN IN NEO-NOIR: Body Heat (1981) CHAPTER 18. WOMEN IN NEO-NOIR: The Last Seduction (1994) CHAPTER 19. WOMEN IN REVISIONARY NOIR: Basic Instinct (1992) CHAPTER 20. WOMEN IN REVISIONARY NOIR: Gone Girl (2014) CHAPTER 21.


WOMEN IN REVISIONARY NOIR: Promising Young Woman (2020) CONCLUSION NOTES BIBLIOGRAPHY INDEX ABOUT THE AUTHOR > CHAPTER 13. THE REVISIONARY NOIR LOST MAN: You Were Never Really Here (2017) CHAPTER 14. THE REVISIONARY NOIR LOST MAN: Uncut Gems (2019) PART III. WOMAN IN NOIR FILM CHAPTER 15.WOMEN IN FILM NOIR: Double Indemnity (1944) CHAPTER 16. WOMEN IN FILM NOIR: Sunset Boulevard (1950) CHAPTER 17. WOMEN IN NEO-NOIR: Body Heat (1981) CHAPTER 18. WOMEN IN NEO-NOIR: The Last Seduction (1994) CHAPTER 19.


WOMEN IN REVISIONARY NOIR: Basic Instinct (1992) CHAPTER 20. WOMEN IN REVISIONARY NOIR: Gone Girl (2014) CHAPTER 21. WOMEN IN REVISIONARY NOIR: Promising Young Woman (2020) CONCLUSION NOTES BIBLIOGRAPHY INDEX ABOUT THE AUTHOR > CHAPTER 13. THE REVISIONARY NOIR LOST MAN: You Were Never Really Here (2017) CHAPTER 14. THE REVISIONARY NOIR LOST MAN: Uncut Gems (2019) PART III. WOMAN IN NOIR FILM CHAPTER 15.WOMEN IN FILM NOIR: Double Indemnity (1944) CHAPTER 16. WOMEN IN FILM NOIR: Sunset Boulevard (1950) CHAPTER 17.


WOMEN IN NEO-NOIR: Body Heat (1981) CHAPTER 18. WOMEN IN NEO-NOIR: The Last Seduction (1994) CHAPTER 19. WOMEN IN REVISIONARY NOIR: Basic Instinct (1992) CHAPTER 20. WOMEN IN REVISIONARY NOIR: Gone Girl (2014) CHAPTER 21. WOMEN IN REVISIONARY NOIR: Promising Young Woman (2020) CONCLUSION NOTES BIBLIOGRAPHY INDEX ABOUT THE AUTHOR > CHAPTER 13. THE REVISIONARY NOIR LOST MAN: You Were Never Really Here (2017) CHAPTER 14. THE REVISIONARY NOIR LOST MAN: Uncut Gems (2019) PART III. WOMAN IN NOIR FILM CHAPTER 15.


WOMEN IN FILM NOIR: Double Indemnity (1944) CHAPTER 16. WOMEN IN FILM NOIR: Sunset Boulevard (1950) CHAPTER 17. WOMEN IN NEO-NOIR: Body Heat (1981) CHAPTER 18. WOMEN IN NEO-NOIR: The Last Seduction (1994) CHAPTER 19. WOMEN IN REVISIONARY NOIR: Basic Instinct (1992) CHAPTER 20. WOMEN IN REVISIONARY NOIR: Gone Girl (2014) CHAPTER 21. WOMEN IN REVISIONARY NOIR: Promising Young Woman (2020) CONCLUSION NOTES BIBLIOGRAPHY INDEX ABOUT THE AUTHOR WOMEN IN FILM NOIR: Double Indemnity (1944) CHAPTER 16. WOMEN IN FILM NOIR: Sunset Boulevard (1950) CHAPTER 17.


WOMEN IN NEO-NOIR: Body Heat (1981) CHAPTER 18. WOMEN IN NEO-NOIR: The Last Seduction (1994) CHAPTER 19. WOMEN IN REVISIONARY NOIR: Basic Instinct (1992) CHAPTER 20. WOMEN IN REVISIONARY NOIR: Gone Girl (2014) CHAPTER 21. WOMEN IN REVISIONARY NOIR: Promising Young Woman (2020) CONCLUSION NOTES BIBLIOGRAPHY INDEX ABOUT THE AUTHOR.


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