Foreword Introduction Chapter 1: The " Sum Forty Tales from the Afterlives " Exercise The Exercise Jenny Rachel Weiner's Introduction Jason and Julia, by Jenny Rachel Weiner Chapter 2: Bly's " Einstein's Dream " Exercise The Exercise Sarah Treem's Introduction Against the Wall, by Sarah Treem Chapter 3: Bly's "Character's Greatest Fear" Exercise The Exercise Rolin Jones's Introduction Last of the Chatterbox Wolves: Grimm History Revisited, by Rolin Jones Chapter 4: Bly's "Character's Greatest Pleasure" Exercise The Exercise Marcus Gardley's Introduction The Blood Curl of Pigs: A Scene about a Pleasure, by Marcus Gardley Chapter 5: Bly's "Kafka's Train" Exercise The Exercise Lindsey Ferrentino's Introduction Last Stop Vancouver, by Lindsey Ferrentino Chapter 6: Bly's "Music Memory" Exercise The Exercise Amy E. Witting's Introduction Standing in the Shade, by Amy E. Witting Chapter 7: Bly's "Myth" Exercise The Exercise Holly Hepp-Galván's Introduction A Language to Play With, by Holly Hepp-Galván Chapter 8: Bly's " Nashville Film Overlapping Dialogue and Storyline" Exercise The Exercise Kenneth Lin's Introduction &am;P>Marcus Gardley's Introduction The Blood Curl of Pigs: A Scene about a Pleasure, by Marcus Gardley Chapter 5: Bly's "Kafka's Train" Exercise The Exercise Lindsey Ferrentino's Introduction Last Stop Vancouver, by Lindsey Ferrentino Chapter 6: Bly's "Music Memory" Exercise The Exercise Amy E. Witting's Introduction Standing in the Shade, by Amy E. Witting Chapter 7: Bly's "Myth" Exercise The Exercise Holly Hepp-Galván's Introduction A Language to Play With, by Holly Hepp-Galván Chapter 8: Bly's "NashvilleFilm Overlapping Dialogue and Storyline" Exercise The Exercise Kenneth Lin's Introduction &ame Exercise Kenneth Lin's Introduction Nashville Film Exercise, by Ken Lin Chapter 9: Bly's "SensoryWriting" Exercise The Exercise Sunil Kuruvilla's Introduction Minus 1, by Sunil Kuruvilla Index.
New Dramaturgies : Strategies and Exercises for 21st Century Playwriting