December 1942 The Judgment of Manhattan Hephaestus lowers the net back to the couch and lets it expand so his prisoners can at least sit comfortably. They can stand up, but they can''t go far. "Goddess," he says, "in the matter of Hephaestus v. Aphrodite , you are charged with being an unfaithful wife. How do you plead?" Aphrodite considers. "Amused." Ares snorts. "You''re in contempt of court," Hephaestus says.
"How do you plead?" "On which charge?" asks the goddess. "Infidelity, or contempt?" Hephaestus''s nostrils flare. This is already off to a terrible start. "Both." "Ah," she says. "Guilty on both counts. But I don''t mean to be contemptible." Hephaestus pauses.
"You plead guilty ?" She nods. "Um-hm." "Oh." He hadn''t expected this. The clever lines he''d prepared, the scalding words, they desert him like traitors. "I''ve disappointed you." Aphrodite''s voice oozes with sympathy anyone would swear is sincere. "Would it make you feel better to present your evidence anyway?" Who''s manipulating whom here? She''s not afraid.
No amount of evidence will matter. But Hephaestus spent months gathering it, so he submits it for the court. The lights dim. A succession of images appears in the air before them like a Technicolor film in their own hotel room. The goddess of love and the god of war, kissing under a shady bower. On the snowcapped rim of Mount Popocatépetl at sunset. Cuddling on the shoulder of an Easter Island statue. On the white sand beaches beneath the sheer cliffs of Smugglers'' Cove, on Greece''s own Zakynthos Island.
"Hermes," mutters Aphrodite darkly. "Zeus never should''ve given him a camera." If Hephaestus had expected his wife to writhe in embarrassment at this damning proof, he has only disappointment for his efforts. She''s shameless. His brother is shameless. He was a fool to think he could shame either of them. The images fade. Silence falls.
Aphrodite watches her husband. Hephaestus''s thoughts swirl. What had he expected? A tearful apology? A pledge to be true? He should''ve known this would never work. But he''d been desperate. Even Olympians, when desperate, can''t think straight. Of all the beings in the cosmos, Hephaestus is the only one who can''t pray to the goddess of love for help with his marriage troubles. The poor sap hasn''t a clue. "Hephaestus," Aphrodite says gently, "this trial was never to get me to admit something you know I don''t mind admitting, was it?" "You should mind.
" "Your real question," she says, "if I''m not mistaken, is why don''t I love you?" "It''s simple," Ares says. "She loves me." Something is apparently hilarious to Aphrodite. Ares''s huge arms fold across his chest. She wipes her eyes and speaks. "I don''t love either of you." Ares sits up tall and thrusts out his lower lip. "Hephaestus," Aphrodite continues.
He feels like he''s now in the witness stand. "Do you love me?" He''s not sure what to say. What''s she doing? He wishes his dumb brother weren''t here. "I''ll answer for you," she tells him. "Of course you don''t." "I . That is ." Hephaestus stammers.
"I''m here because I want--" " No one can love me," she says. "No one." "What do you mean?" "That is the price," she tells him, "of being the goddess of love." Ares''s deep voice breaks the silence. "Don''t be ridiculous," he says. "The only reason Father Zeus made you marry him was because all the other gods were fighting tooth and nail for your hand. He stuck you with him to avert a civil war. We all wanted you.
" She shrugs. "I know you all wanted me." Modesty was never her forte, but then, a humble god is hard to find. "I''m the source of love," she says, "but no one will ever truly love me. The fountain of passion, but I will never know a true passion of my own." Ares throws up his hands. "You''re nuts! Have you read Homer? Hesiod?" "Goddess," Hephaestus says quietly, "what can you mean?" She gazes into his eyes until he squirms. "You male gods are all rapacious pigs," she says dismissively.
"I grant you, Husband, you''re less horrible than some. You all brag of your exploits. You''re no more loving than an anvil is. Fickle and capricious and completely self-centered. You''re incapable of love. Just as you''re incapable of dying." "You''re calling us self-centered?" replies Ares. "You''re no Florence Nightingale.
" "You have no idea what I am," she tells him, "nor what good I do. I know what you think of my ''silly romances.''" She turns to Hephaestus. "I might find a mortal to love me," she continues, "but that''s worship, not love. I''m perfect. Mortals aren''t meant to love perfection. It disillusions and destroys them in the end." Hephaestus is baffled.
Aphrodite has no one to love her? He, the god of fire and forges, has no shortage of ore and fuel. Ares, the god of war, has been enjoying a blood-soaked century like no other in history. Artemis has no shortage of stags to hunt. Poseidon''s not low on salt water. And his wife, the gorgeous goddess of romance, is lonely? "Do you know what it''s like," she says, "to spend eternity embedded in every single love story-- the fleeting and the true, the trivial and the everlasting? I am elbow deep in love, working in passion the way artists work in watercolors. I feel it all ." She wraps her arms tightly across her chest, as though the room is cold. "I envy the mortals.
It''s because they''re weak and damaged that they can love." She shakes her head. "We need nothing. They''re lucky to need each other." "Yeah, well, they die," Ares points out. "Why have you never said this before?" Hephaestus asks her. "Why should I?" she says. "Why would you care? You think my work is stupid.
You never come out of your forge." She''s right. Not stupid, not exactly. But, perhaps, inconsequential. Iron--there''s something that lasts. Steel and stone. But human affection? Hephaestus, as any Greek scholar can tell you, wasn''t born yesterday. Aphrodite still looks cold.
She couldn''t be. But Hephaestus breathes at the fireplace, and the logs laid out there burst into sizzling flame. Firelight plays across Aphrodite''s features. She tilts her head to one side. "Do you want to see what real love looks like?" Hephaestus looks up. Her eyes are shining. "Do you want to hear about my favorites? Some of my finest work?" "Yes." Hephaestus''s reply surprises him.
"I do." A groan rises from the couch, but the goddess ignores War. "I''ll tell you the story of an ordinary girl and an ordinary boy. A true story. No, I''ll do one better. I''ll tell you two." Ares lifts his head. "Do we know these stories?" "Barely, if at all," she says.
"You never pay attention to girls." He snickers. "I beg to differ." "I''m not talking about their bodies." Aphrodite''s eyes roll. "You never pay attention to their lives ." "Ugh." His head drops back.
"I knew this would be boring." Aphrodite''s eyes blaze. "I''ll make it easy on you," she says. "My two stories involve soldiers. From the Great War. The First World War. You''ll know their names and their rank, at any rate. You may find that you remember bits of their stories.
" Aphrodite''s dark-lidded eyes gaze out into the skyline of a Manhattan autumn evening. The Big Apple''s lights have dimmed, in case of German U-boats in the harbor, or Zeus forbid, Luftwaffe bomber planes from who knows where, but not even a global war can completely snuff out the lights of the City That Never Sleeps. Ares watches Aphrodite''s lovely face, and Hephaestus''s grotesque one. For the millionth time, the war god wonders what Zeus intended, forcing these two to marry. What a curse, to be yoked to that monstrosity! All the more tragic for someone so perfectly perfect as she. Why, then, does Ares find the hairs on his arms prickling with jealousy? Even now, though the golden net divides the blacksmith from the goddess, there''s something between them. Something he can neither conquer nor destroy. Impossible though it is, a silver thread binds Hephaestus and Aphrodite together, if only slightly, barring Ares from making Aphrodite completely his own.
But what does he expect? They''re married, after all. "Goddess." Aphrodite meets her husband''s gaze. He points his gavel at her. "Present your evidence." When she tilts her head slightly, he smiles beneath his whiskers. "Tell your story." Ares rolls his eyes.
"Gods, no," he moans. "Bring out the hot pincers, the smoking brands! Anything but a love story !" Aphrodite glares at him. "She''s always yammering on," Ares says, "trying to tell me about some dumb love letter, some random kiss or other, and how long it lasted, and, by Medusa''s hair, what they were wearing at the time." "Goddess?" says Hephaestus. "Mmm?" "Leave nothing out," says the god of fire. "Make your tale a long one." ACT ONE Aphrodite Hazel--November 23, 1917 I first saw Hazel at a parish dance at her London borough church, St. Matthias, in Poplar.
It was November 1917. It was a benefit, with a drive organized for socks and tins of Bovril broth powder to send to the boys in France. But really, it was a fall dance like the one they held every autumn. While others chatted and flirted, Hazel glued herself to the piano bench and played dance tunes. The chaperones gushed about her generosity, putting others'' enjoyment before her own. Hazel was neither f.