This series responds to a rapidly changing digital world, one which permeates both our everyday lives and the broader philosophical challenges that accrue in its wake. It is inter- and trans-disciplinary, situated at the meeting points of the digital humanities, digital media and cultural studies, and research into digital ethics. While the series will take the 'digital humanities' in its broadest sense, its ambition is to broaden focus beyond areas typically associated with the digital humanities (narrower, more academic areas such as database development, digital (XML/TEI) editing, archives and more recently modelling Big Data) to encompass a range of approaches to the digital, whether these be digital humanities, digital media studies or digital arts practice, and so on. The series will initially focus on three strands that reflect the series editors' own expertise and core network but will move beyond these as it grows and develops. These three strands are: new media and the literary canon; the future(s) of the book; Remediation and transmediality.Editorial board:Crystal Abidin (Curtin Uni, Australia) Katherine Bode (Australian National University, Australia)Zeena Feldman (Kings College London, UK)Matt Hayler (University of Birmingham, UK)Dávid Levente Palatinus (Catholic University in Ruzomberok, Slovakia)Andrew Prescott (Glasgow, UK)Joanna Redden (Western Uni, Canada)Roopika Risam (Dartmouth College, USA)Chiara Zuanni (University of Graz, Austria)Padmini Ray Murray (Design Beku, India) Emily Friedman (Auburn University, USA).