"Vinyl is a state-of-the-art treatment of an unforgettable object and medium that raises many of the issues central to contemporary anthropology. Its subject-matter should make it appealing to students and general audiences, while its theoretical sophistication makes it relevant to scholars of music, technology, popular culture, and cultural objects." -- Jack David Eller, Anthropology Review Database "Picking up the story from a cultural and sociological angle, Ian Woodward and Dominik Bartmanski have written what might well be the first modern history of the humble vinyl record since its exponential surge back into the public imagination." -- The Vinyl Factory " Vinyl is a state-of-the-art treatment of an unforgettable object and medium that raises many of the issues central to contemporary anthropology. Its subject-matter should make it appealing to students and general audiences, while its theoretical sophistication makes it relevant to scholars of music, technology, popular culture, and cultural objects." -- Anthropology Review Database "Picking up the story from a cultural and sociological angle, Ian Woodward and Dominik Bartmanski have written what might well be the first modern history of the humble vinyl record since its exponential surge back into the public imagination." -- The Vinyl Factory "Bartmanski and Woodward have created a masterpiece that any record lover should have on their shelves" -- Record Collector magazine "Featured in 'Ubiquitous Grooves: A Vinyl Obituary'" -- PopMatters "Bartmanski and Woodward . provide meticulous detail as to how materiality matters .

Bartmanski and Woodward divide their book into chapters that fervently trace various aspects of vinyl: its history, its functionality and use as a medium, its production and physical properties, and its consumption. In each chapter, they attend to the materially mediated cultural meanings within which vinyl is entangled." -Robin Bartram, Qualitative Sociology "Although there have been some attempts in a similar direction . Bartmanski's and Woodward's book stands out by providing a refreshing perspective on contemporary vinyl culture informed by cultural sociology and material culture studies . the book is a stimulating in-depth study of a central part of contemporary vinyl culture which complements extant studies on record collectorship and the history of the analogue record. It will be of interest to students and scholars with an interest in auditory and material culture as well as vinyl fans - or those who want to become such." - Anne-Kathrin Hoklas, Information, Communication & Society "What has been going on in the cities during the last 5 or 6 years to lead 20- to 50-year-old people to purchase vinyl LPs, instead of CDs, in stores and venues for retail, leisure, learning, and entertainment, and what human desires are satisfied by collecting LPs? . Hearing music is not enough, the authors suggest, and many younger people (especially those who can't read notated scores) yearn to hold their music in their hands .

Bartmanski and Woodward's Vinyl is a work of sociology. It is to their credit that the epilogue affirms their training and practice as sociologists, and that my last impression of them is as sturdy academics." -Alyssa Barna, Eastman School of Music, Association for Recorded Sound Collections Journal "Bartmanski and Woodward have written an impassioned book that will surely resonate with analogue enthusiasts and that may even inspire new vinyl diggers. For sociologists interested in the materiality of cultural objects, the status of vinyl in Berlin's electronic music scene represents a compelling example." - Vaughn Schmutz, University of North Carolina-Charlotte, USA, Contemporary Sociology.