What portion of a 16mm movie can be made for $1,000? Or, put another way, how does one turn a thousand dollars into a 30-minute short? This is the question confronting Charlie di Paulo, who has just received a seed grant from the Portland Film Institute to shoot his 16mm film. For a 26-year-old cab driver, a thousand dollars is a lot of cash, yet it won't even cover the cost of his film stock. Money isn't Charlie's only problem. His new girlfriend and his stepfather, Vic, are both convinced he should be pursuing his dream through more conventional means, and Vic has offered to pay for film school. For Charlie, whose 8mm short was good enough to win him the grant, education isn't necessary'”money is. As the book unfolds, he sets about trying to raise the money and mount the production, and along the way he receives support in various forms from the local doyenne of independent film, a cobbler, a philosophy student, and a bookie.