"One of the first to do rock-and-roll the significant service of locating it within the cultural and political maelstrom it helped to create. Altschuler does so with a good ear for the music and a deft hand, making this account a pleasure to read and ponder. He is not a flashy writer, but so much the better for his storytelling, which shows intelligence and narrative discipline. Altschuler surpasses the admittedly sparsely populated field in the nuanced wayhe places the music within the conflicts--racial, sexual, commercial, and political--that it variously helped to encourage, exacerbate, and (occasionally) ameliorate. Altschuler tells a story of liberation and fear, of inspiration and exploitation, of repeated attempts to homogenize a form ofcultural expression that sprang from somewhere so authentic in Western youth culture that it proved bigger and more powerful than any combination of its myriad opponents."--Eric Alterman, The Atlantic Monthly"A well thought out, well researched work, peppered with evocative archival photos and full of terse, sharp comment and considerable feel for the music and its performers."--Toronto Globe and Mail"In All Shook Up, Glenn C. Altschuler vividly demonstrates that Rock 'n' Roll--as music, lyric, and gesture--provides the guide, the Ariadne's thread, through the labyrinth of social, cultural, generational, and sexual upheaval that was post-World War II America.

"--Kevin Starr, author of Americans and the California Dream"While incorporating extensive research and quotes from the most astute rock music critics, past and present, he manages to craft prose that will suit a general audience."--Library Journal"A book rich with shocking and humorous anecdotes. Also offers insight into the often complicated racial and legal issues surrounding rock 'n' roll in the 1950s."--AP Weekly"A soulful, scholarly, and thoroughly fascinating examination of the transforming power of rock and roll in American culture. Brandishing the chops of a loving fan and a scrupulous historian, Altschuler nimbly tracks the rock-propelled revolutions in manners and morality that first rumbled forth from the 1950s, a decade that seems ever more the epoch of Elvis not Eisenhower. His is a finely tuned, perfectly pitched appreciation of the rhythms of a music thatbecame not only a soundtrack but a heartbeat to American life."--Thomas Doherty, Brandeis University"Includes enough tantalizing tales along with thumbnail sketches of the forefathers and key moments from the annals of pioneer rock to keep the narrative lively and flowing. This PhD is such an enthusiastic fan, my '50s generation awards him our ultimate accolade: he's obviously a 'Good Rockin' Doc.

'"--Miami Herald"A fascinating and important look at a pivotal decade in American history. Put on those old 45s and curl up for an enlightening and eminently readable story."--PW Daily"A remarkably thorough short history of the birth of rock and roll and its cultural contexts. Glenn Altschuler manages to weave the stories of musicians and record producers, cultural critics and legislators, psychologists and sociologists, businessmen and teenaged consumers into a lively, astute narrative of cultural change. The result is not just an especially informative history of rock, but an important cultural history of the 'long' 1950s."--Tom Lutz,author of Crying: A Natural and Cultural History of Tears and American Nervousness, 1903: An Anecdotal History"Deflty weave together the recent scholarship on the subject and some limited primary research into a tight narrative.now stands as the signle best existing synthesis of the GI Bill." --American Historical Review.