"At a time when technical skill has been widely dismissed or outsourced in the production of art, Glenn Adamson crucially adds an entire spectrum of hand-crafted objects to the creative history of the post-war era. And at a time when theoretical frameworks have stagnated, these objects, in his hands, bring with them a fresh and sophisticated set of interpretive perspectives." -- Thomas Crow, Institute of Fine Arts, New York University "Adamson asks provocative questions about the marginalization of craft within the discourse of modernism. Best of all, he writes with a lucidity, energy and engagement that takes the reader with him all the way." -- Pennina Barnett, Goldsmiths College, University of London "A highly original contribution, Thinking through Craft is both thoughtful and exacting about crafted objects and the lessons provided by the artists' time, labor and material inventiveness." -- Modern Painters "'A pathbreaking book"" -- Elissa Auther, University of Colorado "Throughout Thinking Through Craft, Adamson offers such provocative readings of both fine art and craft history that are likely to instigate radical new ways of thinking about each." -- Maria Elena Buszek, for Surface Design "This book is . full of thoughtful and pertinent analysis and achieves an impressive theoretical take on the role of studio craft within the history of modern art.

" -- The Journal of William Morris Studies "A thoughtful, exciting and well-written book that touches on so many interesting ideas concerning craft." -- Museum Anthropology Review "[R]ecommended to both art and design theorists and anyone else anxious to engage in theorizing about craft." --Andrea Peach, Robert Gordon University, Aberdeen, UK.